Giovane Cedar Art
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  • PAINTINGS 1
    • Waterfall
    • Skagit Landscape of the Mind III
    • Red Tail Soaring
    • The Frog Poet
    • Ginkgos & Waxwings
    • Eagle's Pride
    • Spring in Bloom
    • Flower Moon in May
    • Hiding in the Tall Grass
    • Snow on the Beach
    • It Only Takes One
    • Scattered Fans
    • White Circle of Silence
    • Northwest Rain Kosode
    • In the Spirit of Serizawa & Kubota
  • Paintings 2
    • Foxgloves Reaching for the Sky
    • Two Flickers
    • Plum Tree on a Snowy Night
    • Autumn Moon by the Sea
    • Chickadee in Snow
    • Down by the Stream on a Lazy Summer's Day
    • With Hope and Hard Work
    • Towhee & Currant in Spring
    • Sparrow's Spring
    • Autumn Grasses (Oribe Tribute)
    • A Tribute to Itchiku Kubota: Ozette Sunset
    • Cathedral of the Trees
    • Baillie Scott Trinity
    • Raven's Forest
    • Eagle Embraces Her
  • Paintings 3
    • Small Skagit Landscapes
    • Dream Birds
    • Curious Crow
    • Hydrangea's Final Bloom
    • Pine Island
    • Maple Leaves in the Stream
    • Plum & Full Moon in Spring
    • Chickadee in the Quince
    • The Four Guardians
    • Circle About the Moon
    • Eelgrass Nursery Rhyme
    • Capercaillies Under Scots Pines
    • Cedar Green Man
    • Serizawa's Kimono
    • Cats United
  • Paintings 4
    • Blue Heron, Red Sky
    • As Autumn Approaches
    • Echizen Crows
    • The Spirit of Fallen Camellias
    • Temple Hawk
    • Blood Moon in January
    • Yellow Flags by the Pond
    • Falling Leaves--Washed Away
    • Goldfinch Dream
    • Autumn Carpet
    • An Eala Bahn (The White Swan)
    • Horse Ema
    • Lucia's Maple
    • Eagles Spring Dance
    • Watts Chapel Tribute Memorial
    • Voysey's tree
  • Blog Page
  • Other Work
    • Paintings 5 >
      • Camellias in Bloom Woodblock Print
      • Hot Otter Love
      • č’u•? is Seal
      • Loons & Horses
      • Hawk on a Pine 1
      • Elk Along the South Fork
      • Spirits of Ozette
      • Lingcod Guardian
      • Plum Blossoms in Spring
      • Journey Home From Ozette Island
      • Tsooes Sunset
    • Boxes >
      • Rose Tree Box
      • Celtic Bread Box
      • Creature of the Box
      • Skagit Valley Chest
      • Kells Cats Chest
      • Miyamoto's Rice Box
    • Trays >
      • Dragonfly Tray
      • Kaiseki Tray
    • Karakami Square Series >
      • Karakami Square #1: Cherry Tree
    • Screens >
      • Eagles 2-Panel Folding Screen
      • The Four Seasons Screen Series >
        • Winter Screen: Eagle & Pine
        • Fall Screen: Canada Geese & Maples
        • Spring Screen: Cherry Trees & Finches
        • Summer Screen: Swallows & Willow
      • Frog's House Screen
      • Waterfall Screen
    • Peacock Sconces
  • Resources List
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  • Autumn Introspection
  • Dragonfly Dance
  • Bats' Lunar Playground
  • Dance to the Moon
  • Cormorants
  • Trees III
  • The Guardian
  • Crows at Sunset
  • Night at Marymere Falls
  • Raven's Flight
  • Hunting in the Tall Grass
  • Heron & Cattails IIb
  • Heron Calendar Commission
  • Sinuois (Octopus Commission)
  • Return to the Valley
  • Eagle on a Pine
  • Ballet of the Seals
Picture
THE SPIRIT OF FALLEN CAMELLIAS
ACRYLICS ON CEDAR W/RED OAK FRAME
SPRING 2021

     I wish we could someday visit Hanajiri-no-mori forest in Ohara, just north of Kyoto.  In early spring, the camellia blossoms fall from the trees to carpet the moss-covered forest floor, The contrast between the ruby red of the blossoms and the emerald green of the moss must be spectacular to see in person.  Photos of this special place and time inspired this painting (see Katsuhiko, Mizuno, Masterpieces of Japanese Garden Art: #3 Central & Northern Kyoto, ©1992, image #18).  Not one for a bucket list, I may never get the chance to visit there, but I felt as if I were under those camellia trees while painting each blossom.  Stylistically speaking, I was influenced by two of my favorite Japanese artists: Tawaraya Sotatsu and Kiyoshi Saito.  Sotatsu’s early 17th century screen Narrow Ivy Path and sosaku-hanga printmaker Kiyoshi Saito’s 1971 print Shisen-do Temple, Kyoto both influenced the color choice and composition of my painting.  I made the frame out of red oak using pegged, hand-joined, mortise-and-tenon construction methods.  I used the Japanese technique (shou-sugi-ban) of charring and oiling the oak to finish the frame.
 
DIMENSIONS:          HEIGHT:  19 ½ inches
                                  WIDTH:  16 inches

                                                                 PRICE $475
Picture
Hanajiri-no-mori forest in Ohara
Picture
Kiyoshi Saito: (1971) Shisen-do Temple, Kyoto
Picture
Sotatsu: Narrow Ivy Path--left side
Picture
Sotatsu: Narrow Ivy Path--right side
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